There’s not a lot can be said about Spider-Man 3, last in the Raimi trilogy, that hasn’t already been said. It’s common knowledge that pressure from the studio forced Raimi into introducing an extra villain that the fans wanted to see, one that he wasn’t entirely happy implementing, and one which he infamously screwed up (and he knows it), Venom. And maybe that’s on us! There was a lot of hype at the time, and I seem to remember a lot of discussions featuring the words “Well it’s got to be Venom, right?” from kids raised on the 90’s series who adored the Venom saga responsible for bringing the symbiote off the page and onto screen. (more…)
Spider-Manuary continues with Spider-Man 2, second in the ill-fated Sam Raimi trilogy, is regarded by most as the best of the big screen excursions for the wall crawler. Continuing my delve into the series, I want to look at exactly why, and why some people might disagree… oh yeah, I’m going there too! It’s a good film, but not above criticism. Ok, so they’ve refined a lot of the formula, upped the pace and feel of the action, and given us a glimpse into the future of super-hero villains in cinema.
Not going to draw this one out, it’s a fourteen year old film, let’s get into it. (more…)
This month… and a little bit of February, I will be reviewing all of the Spider-Man films of the century in order. I’ll skip Homecoming as I already reviewed it when it released, although expect a lot of cross-commentary and inevitable comparisons.
Spider-Manuary… I have never been so ashamed and proud of myself at the same time. (more…)
Tuesday I summarised the MCU as best as I could in brief, and tried to give you some idea of what to expect from Infinity War without giving too much away. Today the gloves are off, and so begins the review proper.
Given the volume of characters in play, it makes absolute sense to divide the narrative between them, each group trying to find a way to halt the progress of the Mad Titan. So let’s take this group by group, doing insufficient justice to each character as we go because we have many years to summarise with each:
What happens when a Spider-fan, of almost three decades, walks into the most eagerly anticipated Spider-Man film since Spider-Man films were a thing? Well, they do so with a lot of expectation! They carry with them memories of the best bits of five previous Spider-films, a fantastic cameo in Civil War, the 90s Spider-Man cartoon (and its AWESOME theme tune) and a shed load of comic book knowledge. Any fan of the Marvel Cinematic Universe is aware that you can’t get too precious about any of that – there will be changes and you should expect things to be different.
But not like this.
Cometh the hour, cometh the Spider-Man, right back into the middle of the MCU where he belongs. No backstory, no spider bite – because it has been done – just straight into the life of a teenager irrevocably altered by comicbook logic. Instead we jump in with the Peter Parker straight after the fight in Civil War, hero-worshipping Tony Stark, fully kitted out and ready to get into a fight with someone a little more daunting than the odd bike thief or shoplifter.
After all of the backbiting and corporate petulance between Disney and Sony, it is so good to have Spidey amongst the ranks of the Avengers because without him it all has all seemed a little weird, but here we have a Spider-Man born of the Cinematic Universe, only a child during the New York Incident, and fully immersed in the unique-to-film narratives, lore and history. (more…)
In which we compare the two biggest comic book showdowns as they duke it out on the silver screen. This is the second part of a two part review because it got too long to confine to a single article. Read part 1 here. There are a lot more spoilers to be found in this section so a warning is in effect across the board.
Marvel – This is the first time I’ve seen a Marvel film to which I have read the actual comic! Oh I’m a fan of comics, sure, but my knowledge is broadly based on cartoons, games and research, I only pick up the odd comic here and there, but Civil War felt like a must have.
Well, the Nigeria replaced the Stamford Incident, a disastrous mission by a young band of heroes facing off against a far more experienced villain. The Superhero Registration Act was the original name for the Sokovia Accords but by and large they represent the same thing, except that in the comics the concern was more over identifying rather than regulating supers, and Spider-Man revealing his identity becomes a pivotal moment with major ramifications. I like that Parker and Stark are already bonding though. (more…)
This is no small matter. Welcome to part 1.
The comic book genre has held the cinema by the throat for many years now, and not to everyone’s enjoyment but there’s no question that the results have been incredible. Records have been broken, legends have been made, and culture has been revolutionised. There have been almighty successes, and there have been tragic failures, most of which have been Marvel, but the pinnacle has always been the Universe, the combination of heroes into a single coherent force, and it has been a sincere delight to watch Marvel and Disney built that cinematic empire, and something of an ordeal watching DC and Warner Brothers attempt to rush the same thing.
This year has been a pivotal moment, a test of strength of the two giants of industry. Marvel brought us the Civil War, an unforgettable moment in comic book history where a major event forces legal action to be taken by the world’s governments to be taken against every enhanced human and super-being. DC gave us the grudge match of all grudge matches, two heroes functioning at opposite ends of the spectrum, the beacon of hope in a dark world, and a dark knight who hunts evil where it hides.
There is a clear winner, and there is a clear loser, but it’s not the whitewash victory that I expected, despite my bias. Let’s start breaking this down. (more…)
Creative minds are constantly finding ways to make a new story, or to tell something in a brand new, highly imaginative way. Except for these guys who have decided to use the easiest cop-out in the world and just rehash an idea that’s already out there. Sometimes for good, sometimes for bad, rehashing an idea is a sign that either something was such a good idea it had to be done again, or a lack of an imagination.
With this in mind, we’ve had a long and hard think, then we had a long and hard think and then we had a long and hard think. Now that we’ve thought about it a few times, we wrote a list then we wrote a list. We compared our new list to the original list and boom, we made our Top 10 Rehashed Ideas list. Be warned, we’re not on about a series that’s happened time and time again, but rather a concept that has been reused. Read on to see what makes it in. (more…)
Here’s a story that very nearly passed me by. Sony recently released their current timetable for theatre releases over the next four years! It’s one hell of a mixed bag, and I’m curious to hear your opinions.
I’m on holiday at the moment, so don’t expect me to join the conversation quite so readily as usual, but leave your thoughts and opinions on these upcoming releases down below, and I’ll talk to you all soon! (more…)