Last one I promise, and this will be very light on spoilers. I’ve talked about this film and everything that served to create it for two weeks solid now, and while that may seem more than enough, that’s ten years of films to discuss! And how it has changed, and changed everything around it.
A quick look at the other events of 2008: The CERN supercollidor was inaugurated, Spotify was launched, Obama elected, and Satoshi Nakamoto revealed his plans for Bitcoin. Since then, the cryptocurrency market has turned into a bizarre economic hurricane, the Obama administration has come and gone, Spotify has become an intrinsic part of the way we enjoy music, and no black holes in the Netherlands. (more…)
This is the SPOILER FREE part of the [Infinity War review/MCU study] delete as applicable in which I’ll be talking about all the work that got us here. This is going to be a long one, hence the “Part one of four” in the title.
I’ve spoken a lot on the subject but let me reiterate, the MCU is the cinematic event of a generation, as Star Wars was before it. Nineteen films in ten years, fourteen directors, ten titles and twenty-something main characters, that all coalesce into a single universe, not wholly ripped from the pages of the comics but treated with sufficient reverence to the source material and laced so deeply with lore that even the most dogmatic comic book fans can at least respect the effort, even if they don’t like the final product. (more…)
Over a year of GeekOut and it just keeps getting better. This month I decided to poke one of the geekiest bears out there, as divisive a topic as Kirk or Pickard, X-Box or Playstation*, D&D or Pathfinder, and to pitch the giants in the comic book playground against one another seems very du-jour considering Infinity War was released the day of GeekOut, and that I’ll be going to watch it tonight.
Some of you may have seen a few photos and live-streamed footage already, courtesy of our guest from Thors-Kin Podcast, Alex, who helped out with this month’s competition. Here is this month’s slightly belated gallery.
Wow this is late, it’s been nearly a month since the series was released, and considering that I pride myself on getting a review out in good time this is incredibly late, my apologies.
Jessica Jones is a pretty solid fan-favourite, I think that’s entirely fair to say. Her first series painted a portrait of a woman who has built a shell around herself out of snark, sarcasm, and alcoholism, and why wouldn’t she? She’s lost her entire family, was adopted into a deeply broken home, and has suffered greatly at the hands of a super-villain who has proven one of the darkest in television history.
No doubt she was one of the best parts of the lack lustre Defenders, maybe even the Netflix/Marvel project as a whole, and she’s the second character to get a second season. Here’s hoping it keeps the upward-swing going. Consider this your Spoiler Warning because it’s been a few weeks and there’s a lot here that can’t be discussed without a few reveals. (more…)
My biggest qualm with DC heroes is their sheer power. Their top members are indomitable, possessing such a wide array of abilities or a power that proves to have so many applications that they seemingly have no limit. To create a threat that makes for an interesting story you have to meet power with power, or approached from an angle it cannot prepare for. Where Marvel tells stories of people warring against one another, DC tells stories of giants in a playground. Spider-Man has Doctor Octopus, Superman fights Doomsday. (more…)
This will be a relatively short review, as from the perspective of a white British man there’s not an awful lot to comment on. This is a Marvel origin story, in the vein of Ant Man and Doctor Strange, it brings to light a character that has seen little screen time and attention in the past, and while we have met T’Challa before and know the basics of the Black Panther (at least from the MCU perspective) he’s still a relative unknown compared to the likes of Spidey and Iron Man.
Still, from someone with little investiture in African and African-American culture there was a lot to enjoy, remark upon and unpack. I am calling a Minor Spoiler warning but*… well I’ll get to that in a little while. (more…)
Rangers, Marksmen, Snipers, Pistol Wagglers, Rocket People and so many more! A Ranged Weapon Wielder is a dangerous, often hard to predict fighter who can take you out before you see them. This is a list of our Top 10 Ranged Weapon Wielders; There is a bit of a range here and we feel we can extend this list in the not too distant future, into separate categories, such as Bows & Crossbows. As ever though, this is our general Ranged Weapon Wielder list! (more…)
I find it alarmingly easy to say that the end of the Super-Hero film craze is getting close, but that’s not to say that the genre dies with the trend, much like any genre it must evolve, grow, and integrate itself into other genres.
A quick run down on what one might loosely define as the “super hero” genre, although really it’s just a typical family adventure film with super heroes as the subject, one might similarly define Monsters Inc. as a horror film because there are monsters; all you require is a hero and a villain, pitch them against one another in a narrative that tells us a story of hope, and of self reliance, some kind of positive take away to which the villain is usually the antithesis. Iron Man tells us stories of taking responsibility for one’s own actions; Batman is an exploration of sanity from various angles; and X-Men is about accepting diversity; you get the idea. Toy Story 3 is only a short step away from being a super hero film is what I’m trying to say here.
So who’s seen the trailer for the New Mutants?
Now that you’ve seen that, did you also watch Legion? The FX series attempted to follow the broken narrative of a mutant with incredible telepathic and telekinetic powers and one very serious mental disorder. The first episode was a masterpiece of horror when we witness what happens when an unstable mind is given incredible power, spoilers the ward the mutant in question is in is reshaped violently, and a human being is fused with a wall that was once a door end spoilers and after that it’s eight episodes of questioning the truth 12 Monkey’s style, complete with a demonic haunting.
It was well received, a refreshing take on the X-Men franchise, and an exploration into the possibilities of the mutant narrative that one can’t usually delve into in other properties, let’s not forget that mutants are born with their powers, never ask for them, and often never have anyone to show them how to properly use them* and so are often a danger to themselves as well as others. Enter “The New Mutants”.
That line about baby rattlesnakes being more dangerous is so wonderfully apt, except that in this case we have adolescent children and teenagers who contain the power to tear down nations if they put their mind to it, and the world simply does not know how to handle it, so they shove them into a holding pen turned creche. We’re left with some substantial questions about what the nature of the horror in New Mutants might be, but it looks strongly like the fear may simply be out of control mutants who are simply unable to control their abilities. Legion proved the concept, but it’s not the only intellectual property lately that proves that X-Men can cross genres.
Logan I have heard described as a modern western (I still haven’t seen it, but I look into these things thoroughly), and it makes no attempt to hide its inspirations, flaunting the film Shane throughout to remind us exactly where it has drawn its idea. It was an answer to the fatigue of the “super hero genre” and it worked, and if I weren’t so fatigued at Wolverine as a whole I might have watched it by now, but there’s a certain satisfaction in knowing that someone, somewhere in the market is listening to the consumer.
It’s not new of course, we’ve seen super heroes blending genres for a long time now, comedy, science fiction, the neo noir stylings of the Defenders and Batman, but to my memory I have not seen a super hero project marketed as anything other than just that? The trailers tend to make a big deal out of the spectacle and the drama, where the New Mutants is clearly and unapologetically playing to every horror archetype.
I love the cast. Anya Taylor-Joy has already proven her horror chops, she’ll make an excellent Magik, Maisie Williams has some experience playing a wolf-child, and Charlie Heaton is just great in Stranger Things. Let us hope that it can lay roots for comics to stay in the cinema for generations to come without fear of losing originality for some time to come.
*Which is why I’m anti-registration by the way. If a baby is born with a gun taped to it’s hand do you arrest it for illegal possession of a firearm? I like you Stark, but screw you and your Registration Act/Sokovia Accords.
Here I admit Netflix had me concerned. The Defenders had been skiing very much downhill in my opinion, with a rapid decline beginning in the second half of Luke Cage ending in a blander than bland Defenders with only a handful of redeemable features. Now the Punisher had been a little underutilised in Daredevil Season 2, but we were still presented with a version of Frank Castle that we fell utterly in love with in Jon Bernthal, a series of his own was inevitable with the fan support.
Creating a series to appeal to the fans, outside of the initial plot, little to no pre-planning to work him into the larger, very successful Marvel Mediaverse… Yeah, I think I was entitled to my doubts, but we have rather proved that cutting yourself loose of a shared universe can make life a hell of a lot easier. (more…)