Last one I promise, and this will be very light on spoilers. I’ve talked about this film and everything that served to create it for two weeks solid now, and while that may seem more than enough, that’s ten years of films to discuss! And how it has changed, and changed everything around it.
A quick look at the other events of 2008: The CERN supercollidor was inaugurated, Spotify was launched, Obama elected, and Satoshi Nakamoto revealed his plans for Bitcoin. Since then, the cryptocurrency market has turned into a bizarre economic hurricane, the Obama administration has come and gone, Spotify has become an intrinsic part of the way we enjoy music, and no black holes in the Netherlands. (more…)
This will be a relatively short review, as from the perspective of a white British man there’s not an awful lot to comment on. This is a Marvel origin story, in the vein of Ant Man and Doctor Strange, it brings to light a character that has seen little screen time and attention in the past, and while we have met T’Challa before and know the basics of the Black Panther (at least from the MCU perspective) he’s still a relative unknown compared to the likes of Spidey and Iron Man.
Still, from someone with little investiture in African and African-American culture there was a lot to enjoy, remark upon and unpack. I am calling a Minor Spoiler warning but*… well I’ll get to that in a little while. (more…)
So far Marvel’s roster of villains has been good enough. Outstanding examples are few, but they rarely detract from the quality of the film and have never been so bland, poorly motivated, and misinterpreted as to match up to Jesse Eisenburg’s portrayal of Lex Luthor!* Most appear for a single film, and are gone for good by the end because most of the heroes in the cinematic universe aren’t so foolish as to keep their rogue’s gallery imprisoned, they just go for full blown obliteration.
Two villains have never completely faded. Loki has stuck around as beloved fan favourite and loose moral canon, and because Tom Hiddleston is having too much fun with the role. The other has yet to take his place in the front lines of action, but has been pulling the strings of Loki and Ronan the Accuser, and perhaps more since the earliest days of the Cinematic Universe. The Mad Titan, Thanos. (more…)
Do you ever feel like your life is meek and bland compared to those over-zealous do-gooders of the world? Don’t worry, you’re not alone, as in every world there are characters who just so happen to be in the background. What do we mean by this, exactly?
If you look at the best stories, they need solid supporting characters. These characters aren’t even the supporting cast. These are characters that are simply just there. They won’t make you go “I enjoyed this title because of that background character”, but they’re often memorable in their own, unique ways. Join us as we check out our Top 10 Background Characters.
Netflix have released the next instalment of their flawed but still superb Marvel series, and it’s the one we’ve been building to since the release of Daredevil back in April 2015. It’s been a long time and a lot of building to get to this point, and it hasn’t all been plain sailing. This eight episode series brings together our fours main players to fight against the greater forces of the Hand, the looming dread that has haunted the series from the very beginning.
Let’s not dance around here. A Spoiler Warning is in full effect. Here are my thoughts on Marvel’s Defenders. (more…)
What happens when a Spider-fan, of almost three decades, walks into the most eagerly anticipated Spider-Man film since Spider-Man films were a thing? Well, they do so with a lot of expectation! They carry with them memories of the best bits of five previous Spider-films, a fantastic cameo in Civil War, the 90s Spider-Man cartoon (and its AWESOME theme tune) and a shed load of comic book knowledge. Any fan of the Marvel Cinematic Universe is aware that you can’t get too precious about any of that – there will be changes and you should expect things to be different.
But not like this.
Cometh the hour, cometh the Spider-Man, right back into the middle of the MCU where he belongs. No backstory, no spider bite – because it has been done – just straight into the life of a teenager irrevocably altered by comicbook logic. Instead we jump in with the Peter Parker straight after the fight in Civil War, hero-worshipping Tony Stark, fully kitted out and ready to get into a fight with someone a little more daunting than the odd bike thief or shoplifter.
After all of the backbiting and corporate petulance between Disney and Sony, it is so good to have Spidey amongst the ranks of the Avengers because without him it all has all seemed a little weird, but here we have a Spider-Man born of the Cinematic Universe, only a child during the New York Incident, and fully immersed in the unique-to-film narratives, lore and history. (more…)
The long anticipated and lesser known title to emerge onto the MCU’s steamroller of success is Doctor Strange, and despite a little controversy over the appointment of Benedict Cumberbatch to the role it’s everything we’ve come to expect from this media leviathan. Oh sure, it’s formulaic, but it’s Marvel’s formula, which has been working rather well for the last eight years and thirteen films. That’s halfway to the number of James Bond films there are in one seventh the time and barely any changes in lead actors.
Phase Three; Episode 2 delivers new levels of mysticism layered on top of the flimsy scientific justifications that Marvel has been getting good at, so long as you bear in mind a quote from the first Thor film you’ll be doing fine:
“Your ancestors called it magic, but you call it science. I come from a land where they are one and the same.”
Sounds about right.
Our hero is pretty much the centre of our formula, practically a carbon copy of Tony Stark all the way down to the facial hair: an egotistical genius who excels in his field who suffers a life changing event, and his pursuit to put things right eventually land him the role of a superhero, in this case a brain surgeon seeking to restore the use of his hands turns to mystic arts. There’s a lot of Sherlock Holmes in Stephen Strange, and not just because Cumberbatch played both, but the degrees of obsession, arrogance, intelligence, and cunning make a comparison inevitable.
Tilda Swinton appears as herself, an ageless mystic capable of incredible feats of contorting the material world. Her character actually raised bigger concerns about Hollywood whitewashing, but she actually cuts a very original take on the eastern sensei that breaks a few cliches that would have seemed hackneyed in modern cinema. It’s a performance that demanded great verbal, emotional and physical delivery, and Swinton delivers on all counts.
All told we have a fairly slim cast of characters. We have a love story that is blown through fairly quickly and leaves us with a rather interesting little slice of narrative that helps us develop Strange and something we might revisit at another time, although I feel it could have been abandoned altogether with minimal effort. I’m sure most of us will find love for Wong, the deadpan comedy foil and all-round awesome librarian. Mordo presents an interesting figure so far as sidekicks go, eluding to a rather unpleasant history that led him to uncover the mystic arts, something I’m sure we’ll learn more about in the future.
Dormammu I knew to be a major villain in the Marvel Universe, one of those elder-evil types, bigger and badder even than Thanos, so when my Marvel expert on-call said they shouldn’t jump straight to the big guns, they should leave some room to escalate the situation. However using a minor villain – Mads Mikkelson as Kaecilius – as a mortal vessel of the Dark Dimensions puts a limitation on Dormammu that makes him a fearsome enough adversary without overwhelming the new sorcerer. Kaecilius actually reminds me a lot of Tai Lung from Kung Fu Panda, the student who excelled so far before turning on their master for withholding some incredible power, only to be struck down by the new prodigy who seems more willing to learn the truth.
Keep your eyes peeled for the thinly veiled future villain. Trust me, he’s not hard to spot, and he gets more and more obvious as the film goes on. If you need it spelling out for you just wait until the end-of-credits scene, the second one. And if you’re one of those people who leaves before the credits are over in a Marvel film then I automatically assume you’re the kind of person who doesn’t recycle and habitually throw away large amounts of food; it’s wasteful and frankly rude.
Villainy and threat are often second fiddle to origin story in films such as these, it’s something to which Yellowjacket, Ronan the Accuser, and Francis all fell prey in their respective appearances, and Doctor Strange presents us with a similar case where focus on the hero leaves us with an underdeveloped and readily forgotten villain. Oh, not that any of them were bad villains, but they’re not what people will take away from their respective titles.
On seeing the trailers I was a little concerned at the shifting worldscapes might be too much detail to bombard the senses. Well maybe, but cinematography made life easier, flat colour palettes typical of New York architecture make the outlandish costumes of the main cast stand out a mile, camera work keeps the focus on the action, leaving the whirling details to emphasise the speed and dynamics of every moment. I also had my concerns about the Cloak of Levitation becoming a little too adorable and “mascot-ish” but it balanced personality with entertainment value without swallowing the whole show for itself.
Though the bulk of the film is visually stunning I found one particular fight a little hard to watch, a brawl between two astral projections that seemed a little too unreal for me to buy into the tension of the scene. The ghosts of the two combatants seemed to have almost a Casper-like glow and translucency about them, and while the setting may have been intended to feel claustrophobic it just made everything harder to follow where other, more elaborate scenes had done the job so much better.
Biggest question: we learn that there are three sanctuaries placed around the world that emanate suitable protection from extra-dimensional forces to cover the globe, London, New York and Hong-Kong. Nothing in the southern hemisphere? Why does Johannesburg not get a chapter?
It took me longer than I’m proud of to spot the Infinity Stone. I’m not entirely sure how so many of these are ending up on Earth but seriously can someone try keeping them separate? We have two, and that feels like too many. We now have five out of six with only the with only the stone of the Soul remaining, meaning Ragnarok should see the beginnings of Thanos’ collection, and if you stick around long enough you’ll see how it’ll all tie together.
In short, watch Doctor Strange, it is a good film, and while that may sound like an over simplification I can’t honestly say that there’s much more to Doctor Strange than that. Visually it is a spectacle of a standard we’ve come to anticipate, action takes standards laid down by the Matrix to their next logical step, drama gives us comedy and tragedy in fairly even handed measures, and we are left with a new character who no doubt will make the Avengers that little bit richer for his presence. It’s still looking like a boy’s club but given the source material they’re working on we can’t expect much else just yet.
It’s Strange, but who am I to judge.
In which we compare the two biggest comic book showdowns as they duke it out on the silver screen. This is the second part of a two part review because it got too long to confine to a single article. Read part 1 here. There are a lot more spoilers to be found in this section so a warning is in effect across the board.
Marvel – This is the first time I’ve seen a Marvel film to which I have read the actual comic! Oh I’m a fan of comics, sure, but my knowledge is broadly based on cartoons, games and research, I only pick up the odd comic here and there, but Civil War felt like a must have.
Well, the Nigeria replaced the Stamford Incident, a disastrous mission by a young band of heroes facing off against a far more experienced villain. The Superhero Registration Act was the original name for the Sokovia Accords but by and large they represent the same thing, except that in the comics the concern was more over identifying rather than regulating supers, and Spider-Man revealing his identity becomes a pivotal moment with major ramifications. I like that Parker and Stark are already bonding though. (more…)