We’ve done alright recently with our GOVG nights, so if you’re looking for an event to pass the time this coming Saturday, then why not consider joining us for an evening of fun and games? We’ll be playing some free to play games, as well as some other games that people choose throughout the night. It’s always a good laugh, so if you’re up for joining a bunch of the GeekOut UK community for some laughs, then join us on Discord today.
Sackboy, a name that’s associated with cute platforming fun, is back once again with another installment in the hugely adorable and massively popular LittleBigPlanet franchise. But with big names such as Stephen Fry and Hugh Laurie involved with voice acting, can the game live up to it’s predecessors, or does it fall just flat of knitted character goodness? Read on for our full LittleBigPlanet 3 review!
Up there in the skies! It’s a bird! It’s a plane! No, it’s just the GeekOut Bristol Meet attendees flying over to the Old Market Tavern for a night of fun, games, drinks, discussion and much, much more. But of course, not everyone knows what we get up to during our meetups, so if you’re new to what we do, or if you’re simply curious about what’s going down this month, then join us today for a quick chat about what’s new, what’s not and what’s hot about this upcoming meetup.
We were asked by the lovely team over at the Later Levels if I would like to take part in doing a monthly Q&A, to open discussion about video games amongst bloggers. If you’re interested in joining in the discussion, leave us a comment below, or reach out to Later Levels. Every month here on GeekOut South-West, we’ll be sharing what the question of the month is, as well as what our answers to this question is and our justification for the answers.
What Game Has The Best Soundtrack?
The next few paragraphs will be from the GeekOut South-West team – All giving their take on the above question of the month.
For me this one was a really easy pick, I mean I’ve ranted and raved about this game and it’s music for a very long time. I even wrote a guest article back in 2015 regarding this exact subject and I still mentioned this game. It’s one of those games that has a soundtrack so good, that not only do you enjoy it, but the guy who made the soundtrack (and he’s made a lot) went on record to say it’s his favourite musical score in any of the franchise.
Final Fantasy IX – Timlah
Final Fantasy IX is a game I’m playing through on YouTube at the moment, which means that I hear it’s music a lot right now. It’s melodic, it’s simple and most importantly: It’s a fantasy score like no-other. It’s clear Nobou Uematsu went to town on this one and he enjoyed it. There’s joy in the happy moments, such as “Zidane’s Theme” which plays as he’s commandeering an airship to take to Lindblum. There’s suspense in moments, such as “You’re Not Alone”, where Zidane is fighting alone, only to be joined by his friends. It’s clever, intense and passionate music.
Heroes of Might and Magic 3 – Joel
It was a hard decision to make but of all the incredible soundtracks I know and love, I have to go with my first love, Heroes of Might and Magic 3. The incredible classical score made every faction so much more unique, give each a dramatic feel and personality, brings up the pace of combat, and slides into the background effortlessly. It was the first title to make me sit up and pay attention to the level of talent being thrown into the gaming industry, and it’s set my expectations in the years to come.
That’s it for this month’s responses to this question – What did you think of our answers? Do you have any games you’d consider “The hardest game in the universe, ever”? As always, leave a comment below, or over on Facebook, Twitter or Reddit. If you wanna see who else has been writing, check out The Mental Attic and Later Levels today.
A game for the criminally imaginative, that’s the tagline. Whilst board games have enjoyed a massive resurgence in the 2000’s and beyond, so too have games where there are less typical boards involved. This month, we investigate a game that’s been on my “to play” list for quite some time – Rogues to Riches. This was a game I backed on Kickstarter quite some time ago and I received it late last year. We finally got around to playing it as a small group at this past GeekOut Bristol Meet and I will say it’s one of the most funny games I’ve picked up in quite some time. Read on for our full review!
Last year I managed to attend the Play Expo up in Manchester, got to meet one of my heroes, played some fun games, spoke to some lovely people and in general had a really nice time. We asked you last year if there are any more Expo’s that you think GeekOut should try to attend and report on. I have already asked my niece to see if they would want me to take them to one of the many Anime Expo’s scattered around the country but this week whilst browsing one of my regular sites I saw a link that I found sparked my interest.
2016 has come to an end now and we’re hopeful for a bright future in 2017. Ah, so let’s look out of the window… Dear God, it’s all gone to hell out there.
It has been a couple of years since the release of the core set – Players Handbook, Monster Manual and Dungeon Master’s Guide – and in between we’ve mostly seen the release of campaign books that have added their own flavour that a half-awake DM can implement to great effect in his/her own games.
Across the last two editions we’ve seen something of a template in terms of extra material, and the same with independent adaption Pathfinder; more monster manuals, more player options, flavour books that add new worlds or mixed materials that play to a theme, accompanied by campaign modules which are primarily focused on a playable adventure, rather than adding usable material for anyone to use. (more…)
With a few noteworthy exceptions, most games tend to have a fairly homogeneous progression, usually going from lush green grasslands and becoming progressively more wild, desert, jungle, and usually ending with freezing cold, winter perhaps, snowy tundra, or soaring mountain range. Some examples:
Diablo 2 progresses from the temperate plains around the rogue encampment, straight into the desert of Lut Gholein, forests of Kurast, and finally hell itself. The expansion then takes the hero to the barbarous wastes of Harrogath, a land filled with massive, destructive beasts and hellspawn.
Borderlands is almost exclusively deserts and salt flats, being the more common terrain on Pandora. The finale however takes our Vault Hunter to a snow-capped mountain in the Eridium Highlands.
Bastions journey leads the Kid from the ruins of his old town through the drifting chunks of Jawson’s Bog, forests and jungles, ending in the ice blocks of Urzendra Gate, Zulten’s Hollow and the Tazal Terminals, dripping with icicles.
Castle Crashers, Titan Quest, the masterpiece edition of Myst, Grim Fandango when you think about it, Skyrim’s fairly snowy all over but the difference from Helgen to the Throat is a marked difference, Pokemon Gold/Silver ends on Mt. Silver, and I’m sure if you think on it you’ve already conjured a few examples yourself. Why do so many game designers take their story along this path?
There’s a literary device known as Pathetic Fallacy, you may be familiar with it. The sun shines on happy days, it rains when everything’s sad, it’s tragic, but some people still do it, and if it’s done well enough you’d never even notice it was happening. The same thing can also apply to the seasons, they follow a fairly natural progression with all the metaphors to go with them, spring is a time of rebirth and new beginnings; summer is filled with life, growth and joy; autumn is a period of decay, when everything is undone and falls into decline; finally winter is the season of darkness, and death.
The progression of a game follows a like-for-like path, and often the terrain and weather reflect it. A game usually begins with the birth of a hero, the call to action that takes the normal person into a story. The action builds, intrigue rises, suspense and activity grows, driving the hero to develop and achieve things he/she never thought themselves capable of. Finally the real conflict is ahead, seemingly insurmountable, friends fall behind, the world crumbles, the hero is faced with an impossible decision or heartbreaking revelation. They overcome at last to stand before the end, victory or defeat, life or death, pivoting on a single moment.
A less heroic analogy, a decline in weather follows the decline of Prince Arthas in Warcraft 3, from the young hero of springtime, and the madness he pursues takes him into winters death, which then follows him everywhere he goes.
Keep your eyes peeled for this particular quirk of media, and how weather can influence emotions as part of narrative, and particularly look at how it can change your perspective on an area. It may not be the very last segments of the game, occasionally they are the very beginning (Metal Gear Solid, Borderlands 2, Rise of the Tomb Raider), but they’re frequently pivotal, memorable, tough, or some mixture of all three. If you’ve ever felt daunted at the sight of snow then you’ve already fallen victim to pathetic fallacy.
So here we are again catching up with PlayExpo. This time we are talking Sumo Digital who are mostly a UK based development team with an office in Nottingham and Sheffield. I managed to get some time to chat to Seb Liese the designer of their new game who originally was a biology teacher in Holland. He was first noticed by Sumo Digital because he was one of the top rated level designers for Little Big Planet, he has now been working there for four years. At the end of 2015 Seb won a 24 hour internal Game Jam with his ‘snake physics’ based tech demo and was given a team to work with to translate this into a fully fledged game. The game itself is physics based action puzzle platformer called Snake Pass and is due for release around the first quarter of 2017. So let’s go through my chat with the designer.