“Good evening sir and welcome to the Inn. What’s that stain on the wall you ask? Oh nothing to worry about, it’s just an old building. Enjoy your stay, sleep well and we may see you in the morning.”
Assign the stranger a room and plot who would be best to kill this evening to aid your profit, in a bid to defeat the other owners.
The Bloody Inn is a push-your-luck style game where you and your fellow players have joint control of an Inn. Think of it as AirBnB but with more death. Your goal is to gain money by killing off the guests that stay in the rooms without being caught by the constabulary.
Do you remember board games of old, ones which are hard to come by now? Do you have a lot of friends or family that you like to play board games with, but you’re not often in the same place at the same time? Do you really just like to flip tables and laugh at how everyone is now playing 1,000 piece pick-up? Well, all of these ‘problems’ are no more, as today we’re going to introduce you to Tabletop Simulator; a video game that lets you play board games. Seems like a strange and somewhat novel idea, but trust us, it’s excellent.
Somehow we’ve mentioned Tabletop Simulator many times in the past, but we’ve never actually reviewed the game itself…
Through Azeroth, to Paragon City, I’ve played a number of MMORPGs in my life. All of them adhere to vaguely similar rules; create a character, run through a huge open world and do some quests. Get coins, do a few professions – If you’re a fan of MMORPGs, you’d know the drill. I’ve played so many, that I was trying to look for one that could potentially replace the massive void that World of Warcraft left in my heart. Naturally, it was only a matter of time before I picked up Elder Scolls Online – But what did I make of the world of Tamriel? Read on to find out more, along with a screenshot gallery of my journey.
A LucasArts classic, before the company were dismantled, The Curse of Monkey Island is one of their most iconic titles. Whether you’re a long-time fan of the franchise, or just observing it for the first time, it’s fair to say that if you’re a gamer, you’ve probably heard of it! In this instalment of the Point and Click series, we join Guybrush Threepwood on his quest to save his fiancee, Elaine Marley. Will Guybrush be able to save her, or will she be a solid gold statue forever?
For the past eight or so months, I’ve been pretty much devoted to Tekken 7, a game which has rekindled my love for the fighting game genre as a whole. So, when I heard there was a mobile version, you can imagine exactly what I said…
“This is going to be dreadful! How can I get my beloved combos on a tiny phone?!”
So, uh, I went in with pretty low expectations for the fighting game franchises first foray on mobile – a hard platform to do any form of video games as a whole. However, what I experienced ended up being something I genuinely didn’t expect… And hey, it’s free, so let’s read on!
When I think ‘free trial’, I used to suspect that I’ll be able to get through some of the introduction levels, before it comes up with a big splash screen saying “Buy the game now!” Fortunately, Final Fantasy XIV(FFXIV): A Realm Reborn’s trial is incredibly fair – Allowing you to level up to 35 with no time restrictions. As I’m an avid MMO fan, who thoroughly enjoyed World of Warcraft, Aura Kingdom, City of Heroes, Dark Ages of Camelot and more, I took a dive into the world… of Hydaelyn.
“You’re back in Wonderland, Alice.” – But this time, things aren’t the same. Things have gone quite mad. You could say that all of the time Alice has been stuck in an orphanage, has only made her more derranged, or at least more cynical. Now we must return to Wonderland, where a train has been seen destroying the imaginative world. Why has this train taken off? What has happened to the laws of Wonderland and more importantly, can we see that amazing Vorpal Dagger once again?
Looking for a card game where you get to judge cartoon characters? Looking for something quick and easy to set up and play? Want a game with lots of unique looking characters, random questions to ask about them and to be co-operative? Well, I think you’ve just described Unusual Suspects; a game where you see a bunch of suspects and ask a witness a bunch of random questions, from if the suspect is interested in politics, to if they have a record player. Sound strange? Well the clue was in todays title!
Pocket Mars is a card game that boasts simple rules, and packs a lot of gameplay. I’ve had a copy of it for a while now and remember talking to the publishers Board and Dice about it back at UKGE, and at our recent September Meetup, I finally got round to playing it.
Since the dominance of the sandbox, railroading gameplay through linear non-divergent story and specific plot paths has become something of a faux-pas in game design, and was never looked upon favourably in tabletop roleplaying. As a player you seek agency, and often that comes from such simple things as choosing which path to take to the same inevitable end, and not following the obvious trail of breadcrumbs laid out for you. These days we laud games for open worlds, multiple endings, and the ability to approach one problem a dozen ways, to play it your way.
All but gone are the days of the 3D platformer, and the rail shooter, technology and computing power has given us the power to create actual worlds and weave beautiful stories into them rather than just telling a story and dragging you by the nose along it.
But is it so bad a thing that we’re better off entirely being rid of it, and casting away the strictly linear narratives of old?
There are times when actually taking your players by the nose and dragging them to the plot is not necessarily an unforgivable act. Here are a couple of examples of uses for, and in defence of railroading your story.
Here’s a nice easy one to get this started off. When beginning a campaign, or game, or whatever interactive experience your trying to share, you’ll usually have a few fundamentals to share, basic bits of information to share that’ll allow the player to understand the experiences to follow. A little bit of railroading aids “showing not telling” like the opening test chambers of Portal encouraging thinking with portals. Obduction drives you down a path in pursuit of one of the world-shifting seeds, and leaves you in a small bubble that tells you everything you need to know about the transition mechanics you’ll be playing with.
It’s a form of tutorial, but done right it’s so subtle that you barely notice it every replay. We’re guided through set pieces that leave us without doubt about where we’re going or what we’re doing for the rest of the game.
There are occasions where your story takes a turn that irrevocably changes everything. No turning back, and no matter what you have done up to this point this moment was unavoidable. Moments like the time-shift in Guild Wars, where the entire “tutorial” felt like an open world in it’s own right, only for everything to change in a single moment. Transitioning from one Mass Effect or Witcher still leaves you with a short period in which games are identical, no matter the decisions you’ve made.
Now, actions and decisions made before this pivotal moment can alter the events that follow, but all paths lead here ultimately. Most games use this kind of narrative, the storyline quests that so often get ignored in pure sandboxes, but there are times where that epic moment changes everything to the point where there’s no going back or wandering off to finish that sidequest you’ve been ignoring.
I’ll skim over this because this one’s more of a cheap trick, somewhat less acceptable. False choices are the doors you walk up to that suddenly slam shut and lock you out, or those decisions that immediately kill you or end the game. Arkham City did that with Catwoman’s story at one stage, where she had the option to simply walk away with loot in pocket, but because the game needed you to save Batman the game simply ended there. Sorry guys, given a real choice I’d have taken the money and run.
A Good Story
Halflife, Telltale Games, Psychonauts, hell most games will railroad up to a point. When your story is good and worth telling there’s nothing wrong with taking agency from the players in terms of narrative direction. In the drive to create bigger and more incredible games let’s not lose sight of a good story and the ways in which we can tell them, putting the player into the hazard suit of a mute scientist as he weaves through supersoldiers and alien parasites to reach the incredible conclusion of his epic tale (that will have been stuck on a cliffhanger for ten years this October) or filling the boots of the intrepid archaeologist as she shoots her way through adventures far more thrilling than any actual archaeologist would ever encounter.
I consider myself a world-builder first and foremost, so I’ll advocate for the ability to wander aimlessly around the whole world and delve its deepest corners and unveil every shred of lore, even if I have to sit and spend time that should be shooting down killer robots reading books on killer robot maintenance. But sometimes when a moment needs to be shared, or an idea is so stunning that it simply must be seen, there’s nothing wrong with putting the plot on tracks and asking everyone to enjoy the ride for a while.