I’m not much of a “Spell Component” guy, at least not material components, but the visual effect of one fusing chemicals in one’s bear hands to create fire or toxin, or vial of consecrated soil that shatters and causes the undead to flee before you, it’s all very stunning, I just find it a nuisance to track.
But to stumble across a rare material or strange artifact that might imbue a spell with power beyond its typical capabilities, even as a singular use consumable treasure, makes for an interesting treasure with unique appeal that might capture the imagination of your favourite spellslinger. (more…)
Funny how something labelled as a “versus” really shows great coordination between both sides.
That’s basically the whole story here, if you like Dungeons & Dragons & Rick & Morty… then it’s a good comic, as one would expect from a story penned by Patrick Rothfuss, fantasy author and famed D&D player with the PAX team, occasional guest star on Critical Role, and he’s a standy-up DM like me. Jim Zub co-penned the piece and has a back-catalogue of D&D comics under his belt. (more…)
Gigantic eagles circle the bay, plucking seagulls clean from the sky, as the gangplank is run out from the Merchant Knave. You push your way past the rushing deckhands down to the complex network of piers and jetties stretching out from below the bluff, that spirals up to the height of the city. As you step down you can hear the hollering of people in the simple armour of guardsmen, calling out in a variety of languages, and in a few moments you find one shouting over the crowd in a language you understand:
“Welcome to Meadsbridge! While within the confines of the city you will abide by the following laws…”
It’s something I’ve considered doing for a while but I’ve never had the recruitment power for it, a world big enough, and so full of adventure that it could support multiple groups. A couple of years ago, before resolving to be a DM for hire, I watched a video about a particular style of gameplay, The West Marches that put better form to the idle thought, and now I have a way of reaching new players.
Adventurers are centred in a single area, a point of civilisation on the brink of wilderness, within which lies adventure. There can be dozens of players, all gathered in the city of Meadsbridge, talking, communicating, sharing what they’ve found, recruiting for expeditions in the great green beyond to learn more and more about their surroundings, and follow rumours about some of the plot hooks that I have seeded throughout the small-nation sized space mapped out beyond… my map, they’re not allowed to see it.
Of course you may not want – or be able to share information, some players have already landed themselves far from Meadsbridge in one of the outlying settlements with no easy way to communicate with the larger settlements nearby, and have already got a couple of secrets they’d rather not share with everyone… but they’ll soon learn that without friends, they’ll find themselves in fatal situations with no one to depend upon for help.
The players will need to keep their ears out for rumours and plot hooks, not just from one another, but also the citizens of the cities and settlements, and the wandering caravans beyond. Wandering into the wilds will yield some results, but the true treasures must be sought, rather than stumbled across.
Every hex on the map (built in hexographer if you’re interested) works out to roughly half a day’s travel on foot, about fifteen miles, and for every half-day of travel there is an enormous random encounter table, with changing regional effects, different possibilities depending on the intent of travel, some fixed landmarks that can help with navigation, such as the estuary or certain distant forests, ridges, and settlements. The region is awash with bandits, gnolls, incursions of demons, hidden enclaves of halflings, dwarven mines, hives of serpentflies, nests of manticores and griffons, and the spawning lakes of whales. There are about a dozen side-quests, dungeons, and wandering monsters to pursue with more being added constantly, and amidst all of it a hidden story, scattered like pieces of a jigsaw puzzle between the people who set out from that single point of light and into the darkness.
Which sounds grandiose for a project that is little more than a Facebook community page, but as the first dozen players are starting to scratch the surface, now felt like the time to share the ridiculous scope of the Meadsbrdige wilderness.
For this MMTTRPG I’ve made the process of character creation a guided affair for two reasons:
The first is to try and keep things fair. Players still roll dice to determine their statistics, but those rolls have an inverse effect on your character choices later on. Points are used to buy things like the ability to choose your race and class, or to start with a magic item, or a map, or additional information, and the better your stats, the fewer of those points you receive. A player with bad stats can choose to start at second level rather than first. It makes people whose dice rolls have turned against them feel a little more empowered.
And second is to create something a little more unique and immersive. Four human nations, a twist on the subraces of both halflings and dwarves, a little more personality granted to elves, and four different human nations. Additionally I have traded the classic exotic races (dragonborn, gnomes, half elves, half orcs, and tieflings) with a collection from Volo’s Guide to Monsters, aasimar to reflect that the world is young, and the blood of gods still flows in mortal veins, goliaths and firbolgs, as giants are prolific across the world, and kenku and lizardfolk from far-off lands to lend some mystery to the world at large.
Once a character is made each player gets a short .pdf with all the information they need to get started, and a hefty chunk of lore that they can dive into for inspiration. Any character options, like their magic items, extra rumours, or anything else they might have chosen gets added to this file. After a few levels of play, players may want to retire their character, because doing so yields more options at character creation, with additional points depending on the successes and deeds of their last character, and the positive behaviours of the player.
The Shropshire Dungeon Master IX
So this is kind of a business diary, because this grand idea of mine (that I stole) currently has thirteen players, of which only seven have played, and four more at the weekend. recruiting isn’t too difficult, as interest is always high, the problem will be finding venues for games as most of the groups will eventually be strangers to one another (to start with) and will want to meet on neutral ground, at least for their first few sessions. Pubs are often busy, and most private spaces require a fee – usually more than my margin, thus negating the point of running games as a living.
As regular readers know – especially if you read my old DMing 101 series – I do not like playing online, it’s fine for some, and has some amazing benefits, but I find it hinders the enjoyment of the game and as my players now pay to be at the table, I want them to have the best experience possible.
I have been working on this project for months and it is so gratifying to roll it out to real players, but I knew there would be pitfalls and problems, and there’s a certain amount of fun to be found in overcoming those problems, but when your players are your customers it’s always better to be on top of the minor issues so that the game is the focus of the experience, not the days spent finding a table at which to play.
This April I will be disappearing a long way north for a week to run a long game of D&D at the Wargaming Nationals that I attended last year, and then shortly thereafter at Insomnia in Birmingham. Additionally in June, I have a table at Comics Salopia and upcoming celebration of Shropshire’s deep connection to the comic book industry, the wealth of local artists and writers, and I will be raising by geeky standard and running games for anyone who comes to see.
Ok, we started Kickstarter Highlights to shine a light on smaller or lesser known projects that we wanted to see shine, or managed by people we love, but occasionally we like to talk about projects that we love that really don’t need the help. Case in point, Critical Role, the series that broke MCM London, a bunch of nerdy-ass voice actors who play Dungeons & Dragons live on the internet for a few hours every week and draw massive viewership and crowds, and have been partially responsible to the exponential boom in popularity of the hobby!
I’ve talked about them before. They’re a good – if inaccurate – representation of the hobby, vastly more entertaining to watch as it’s being played by actual performers, voice actors who know about taking turns when talking so that there’s no cross-talking, who can totally immerse themselves in their character so deeply that we can more clearly envision the action, and who get visibly emotional about the narrative, reacting appropriately to every moment of drama and capable of deftly improvising moments of their own.
So it makes sense for a bunch of actors with characters that they love and live, with connections in the industry who also love D&D, to club together and make a cartoon! One to go alongside the comics written by Matt Colville, and all of the other products, the books, the art, the live appearances… you get the idea they’re doing well.
The project will be supported by the studio Titmouse Inc, famous for shows like Metalocalypse, Venture Bros., Tigtone that I put on my to-do list lately, and Avatar: The Last Airbender, alongside a host of other major projects, so the animation will be in excellent hands. The cast will be played by themselves, with Matt Mercer serving the bulk of the NPCs… or rather those characters who are not the protagonists.
The test will be how well a D&D style narrative can be translated into a linear format, as it rarely crosses well into other formats – at least those that endeavour to capture the spirit of tabletop RP. As this project is dedicating itself more to existent characters and a well developed and explored world, things could be very different.
So, to the campaign itself. The target is $750,000 to fund the actual animation to a high standard, with a projected release of late 2020. Backer rewards do not include access to a digital stream or download of the final result, rather heavily implying that the final product will be available for everyone to enjoy, likely via their (newly independent of Geek & Sundry) YouTube channel and probably Twitch as it is their principle platform.
The rewards backers receive are instead encouraged to pledge for loot, some digital downloads of music uniquely composed for Critical Role, including a piece written and (partially) performed by the cast. Dice, sticker packs, art prints, cuddly toys, accessories for roleplay and memorabilia, and of course the upper echelons include personalised artwork by Titmouse, producer credits, and when you hit a five figure sum you get a studio tour and more.
Those upper echelon rewards? All gone. I would not be surprised to find a lot of D&D executives towards the top of that list, and possibly Matt Colville himself. The campaign? When I started writing it was at about $2.1 million, it’s now approaching $2.4M, and the campaign started less than five hours ago. IGN managed to squeeze out an article last night a few minutes after the project passed $1M, and I won’t be publishing this for another ten hours, who knows how much money might have poured into the pot. Stretch goals are disappearing, and the twenty-two minute animated short will be treble the length before I go to bed, and will be a feature length film by morning unless pledges slow down.
Sam Riegel and Travis Willingham have apparently been talking to producers for a while, and the attachment of the hobby still makes studios reluctant to engage with projects, presumably offers may have been made with limitations or changes. Crowd funding may lack security for the consumer… fairly certain the same group have ripped me off twice now… but it does put creativity in the hands of those passionate about a project. The CR team have proven time and time again that they are capable of producing high quality content. Here’s to another one.
Oh… there goes $2.5 million!
Side note…! Hot damn, 514% funding on Lasers and Liches!! Go check out this awesome project blending sci-fi and D&D, and adds bonus dinosaurs, perfect for anyone wanting to RP their way through Kung Fury or a Shadowrun Rave. You still have a week to get involved, and there are still stretch goals left to reach.
~Text message from Tim~
What do you mean it was made by a “different Chris”?
I could never decide whether I liked how 5th edition Dungeons & Dragons handled it’s classic campaign settings.
On one hand I liked that everything was left sufficiently open and multi-purpose that it could be applied to any setting and modified to suit most fantasy-plus genres, and we get the occasional allusion to how these creatures appear in other settings. Of course I respect and understand that the big three take front and centre: Forgotten Realms, Dragonlance, and Greyhawk, and my favourites get a few nods, Dark Sun and Eberron, but there were never plans for a full-blown campaign setting “release”, singular books devoted entirely to establishing a fixed world with a vast array of content, plot hooks, geography and history! (more…)
I may have mentioned… repeatedly, that I am a tremendous fan of Matthew Colville, and that I gave to the Kickstarter that was ostensibly to get a streaming series up onto Twitch and YouTube, but for the purposes of putting a product into the hands of backers, it was also for the Strongholds & Followers supplement that he had hinted at repeatedly in his “Running the Game” videos that a few fans had been asking about.
Well the MCDM stream began last Wednesday, and aired on YouTube (where I will be watching) over the weekend, and I squeezed in watching between games I was running, and as I already reviewed the book, it’s only fair I have a look at what else our generously given donations have yielded. Side note Strongholds & Followers has had an update with extra artwork and some fault-fixes! Version 1.1 is available for download now, and free if you’ve already got 1.0. (more…)
In the long distant history of February (2018 for you strange future-people) one of my favourite personalities in role-playing games released a kickstarter, Matthew Colville’s Strongholds & Streaming. Begun with the simple intent of getting a Critical Role style D&D twitch game underway, offered with a physical product so that people were not simply funding an ephemeral and conceptual project, a Dungeons & Dragons supplement for 5th edition, Strongholds and Followers. Oh, and dragon minis too!
As weeks rolled by, Matt’s videos were often started or closed with an awed thank you, as the campaign not only obliterated goals, but is the current record holder for most funded roleplaying book, and remains in the top 100 Kickstarters of all time. We’ve seen work unfold on a studio space, designs emerge for the miniatures, and even had insights into the design process of the book, and finally, we have a finished product in our hands…
Assuming you have removed your harddrive and are currently sat holding it. I got the pdf the other day, is what I’m saying. Here’s what I thought. (more…)
When was the last time I did one of these? Ok, nothing since September, a fair amount has happened since then. Around the middle of October there was an incident that slowed progress a little, and with Christmas on the way there hasn’t been a great deal of time to advance a few projects that are in the pipeline – in some cases since July – but there has at least been notable progress. (more…)
Growing in popularity thanks to their frequent reoccurrence in Critical Role’s second campaign, the race of gentle fey giants appearing in Volo’s Guide to Monsters are forest-dwelling wardens and guardians, living peacefully and quietly with nature until situation demands that they act to protect their sworn homes. Despite their incredible size, they are more adept in matters of stealth and ambuscade, and are better fit to silently exterminate interlopers in the night than to assault them head-on.
A quick review of firbolgs as they appear in Volo’s, they’re tough to fit into an adventuring party without some heavy modifications to narrative: they abhor greed, prefer not to leave their homes, and are generally peaceful and slow to resort to violence. They also utterly lack a physical description, but general opinion seems to lean more toward hints of the bovine, hircine, or cervine elements mixed into an oversized humanoid body.
Here I present ten ideas on how to use this race, in which I will be including a few variations on the theme, none of which will be characters from Critical Role (although some artwork from the series may appear). (more…)