Review – Teen Titans: The Judas Contract
Having only reviewed Justice League Dark last week, I’d intended to leave my review for Judas Contract for a little while, and then I watched it. I have mentioned a couple of times how much I enjoy the animated DC films, but one of the more pleasant surprises for me has been the Teen Titans, a super team who might actually be more fun to watch than the Avengers. The Judas Contract is their second outing in the series, following on from the team of teens taking down the Justice League, but that doesn’t make this adventure a down-grade.
The young and the superpowered work together under the tutelage of the alien princess Starfire and the first Robin turned Nightwing, Dick Grayson. Amongst their number you have Raven, a young girl who bears a crystal that imprisons her demonic father; Blue Beetle, a boy whose symbiotic relationship with an ancient egyptian killing machine is still unexplored; current Robin and recovering assassin Damien Wayne; Terra, a girl with personality problems and the power to move mountains, and Beastboy… who will probably be fine.
The Spoiler Free Bit
One thing I must credit the animated films with is not wasting time on origin stories because they know their market. We receive just enough to get us kicked off and from there we’re thrust into narrative. It’s something that Jessica Jones probably did best, leaving the history to unravel a little more organically throughout the narrative through little expositional moments that lend a great deal of texture to each character. For the more knowledgeable fans it gets you straight through all of the boring “we know already” moments and to business, but even as someone whose knowledge is limited there’s a lot gained from this approach, you’re already engaged enough to want to learn more about who you’re watching.
It’s also important not to delude yourself that the Titans are not exactly for kids. Oh sure, they translate easily enough into a kids show style format, Teen Titans Go being the most current incarnation, but do not show the Judas Contract to young ones unless you want to accelerate their education of “the facts of life”. Here’s why:
Our villains are twofold. The grandiose cult leader Brother Blood holds sway over a deeply unpleasant church dedicated entirely to him, a messiah/living god figure who has acquired various forms of longevity and immortality, sustaining himself with blood rituals and draining the vitality of others. After nine centuries of patience he now has access to a machine that will allow him to steal the superpowers of others, along with their lives, but to bring them in he requires help. Enter League of Assassins reject and one of the scariest villains ever to grace the Arrowverse, Deathstroke/Slade Wilson. Hired by blood as a mercenary to keep the Titans at bay until he’s good and ready.
Between Blood literally bathing in the blood of a reporter beneath the freshly drained corpse, the rather “forward” advances of Deathstroke’s young and curvy partner in crime, unapologetic use of bad language and Starfire’s inability to filter comments about her relationship with Dick Grayson, this is not one to sit down to with the kids unless you’re ready to answer some questions. There are a bunch of teens after all, teens dealing with murderers and lunatics but that doesn’t stop puberty happening. This does all mean that the comedy is just perfect, alongside some superb characterisation, perhaps most of all from Beastboy.
Biggest let down is the action, best summarised by a fight against some gun-drones that politely hold their fire while the team dodge and prep their weapons, or demonstrate some classic storm-trooper accuracy. Blue Beetle’s scarab-armour also seems undecided about its own powers, as I feel he should be more than capable of busting loose of his restraints towards the beginning of the final conflict, even if it was debilitated. I also have a monolithic plot hole I’d like to point out, but there’s some spoiler to get through first…
It’s hard not to guess it before the big plot twist about 30 minutes in, but it turns out the new girl, Terra, is a traitor working for Deathstroke, feeding information for a year back to her boss and lover, hence “Judas Contract”. Honestly if you didn’t guess traitor from that you need to read more, maybe watch more films. You’re almost guaranteed to see the double-cross that comes towards the end when Slade sells Terra to Brother Blood along with the rest of the Titans.
So the plot hole. Following an attempt at grabbing a scientist working on Blood’s life-sucking device, the scientist dies but leaves behind a rather conclusive proof of an insider, detailed profiles of the team and candid photographs, in which only one member of the team is conspicuously absent despite having been a member for a full year. And no one even asked the question? Not even Batman-trained Dick Grayson?
That aside, the whole betrayal narrative gives us some great moments of comic-book self awareness. Banter between Slade and Robin points a huge finger at common villain stupidity, although my personal favourite line comes shortly after Terra glibly discusses how the Titans are all about to die, and Deathstroke says “Urgh, no grey areas with this one!”
This is really just a good quality super-hero adventure. Sadly I can’t speak to accuracy to the comics, although based on past performances I’d hazard a guess at “close enough” at least for those more casually inclined toward comics. It’s engaging enough that I find I’m almost as keen to see the next instalment as I am to see the next Marvel blockbuster.
It’s also incredibly gratifying to see a company who aren’t afraid to plunge a group of plucky teens into a very grim story, after all these aren’t average happy teenagers. They’re cursed, burdened, shunned and alone, pledged to save lives at all costs, trained daily to combat terrible evils and the worst of humanity. This is why I found myself most enthralled with the character of Beastboy, despite one rather stupid moment where he’s presented with a “DO NOT PUSH” button. He wears his suffering plainly, but at the same time is unapologetic in embracing life, simultaneously filled with joy and sorrow and willing to share them both with anyone who’ll listen.
Suddenly I feel the need to buy comics.
If you’re at UKGE at the Birmingham NEC this weekend let us know. I’ll be there with catharsisjelly, getting our fill of board games and geekery all the way through ’til Sunday.